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Our collection of picture books featuring Black and Indigenous people and People of Color (BIPOC) is available to the public. *Inclusion of a title in the collection DOES NOT EQUAL a recommendation.* Click here for more on book evaluation.


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23 matching books

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Down on James Street

2021

by Nicole McCandless and Byron Gramby

"The moon lit the riverbank as George and Dorothy each made their way to the teen dance hall. It’s 1935, and sons and daughters of black and white workers in Pittsburgh look forward to having some fun dancing the Lindy Hop, until the police come in and break up the dance…with their bully clubs.The teens all scatter, but Dorothy has a plan to save the dance. Is George ready to join the fight? Or will he play it safe and just go home to his family? Down on James Street is based on a real historical incident in 1930’s Pittsburgh. Today, young and old can take inspiration from this wonderful story of courage and solidarity, with gorgeous illustrations by Byron Gramby that summon up the style and the cool of that long-gone era." -- publisher

Cross Group Oppression & Resilience Race/Culture Concepts

White Socks Only

1996

by Evelyn Coleman and Tyrone Geter

"In the segregated south, a young girl thinks that she can drink from a fountain marked "Whites Only" because she is wearing her white socks. When Grandma was a little girl in Mississippi, she sneaked into town one day. It was a hot day—the kind of hot where a firecracker might light up by itself. But when this little girl saw the "Whites Only" sign on the water fountain, she had no idea what she would spark when she took off her shoes and—wearing her clean white socks—stepped up to drink. Bravery, defiance, and a touch of magic win out over hatred in this acclaimed story by Elevelyn Coleman. Tyrone Geter's paintings richly evoke its heat, mood, and legendary spirit." -- publisher

Cross Group Oppression & Resilience

Northbound: A Train Ride Out of Segregation

2020

by Michael S. Bandy, Eric Stein and James Ransome

"On his first train ride, Michael meets a new friend from the “whites only” car—but finds they can hang together for only part of the trip—in the last story in a trilogy about the author’s life growing up in the segregated South. Michael and his granddaddy always stop working to watch the trains as they rush by their Alabama farm on the way to distant places. One day Michael gets what he’s always dreamed of: his first train journey, to visit cousins in Ohio! Boarding the train in the bustling station, Michael and his grandma follow the conductor to the car with the “colored only” sign. But when the train pulls out of Atlanta, the signs come down, and a boy from the next car runs up to Michael, inviting him to explore. The two new friends happily scour the train together and play in Bobby Ray’s car—until the conductor calls out “Chattanooga!” and abruptly ushers Michael back to his grandma for the rest of the ride. How could the rules be so changeable from state to state—and so unfair? Based on author Michael Bandy’s own recollections of taking the train as a boy during the segregation era, this story of a child’s magical first experience is intercut with a sense of baffling injustice, offering both a hopeful tale of friendship and a window into a dark period of history that still resonates today." -- publisher

Cross Group Oppression & Resilience

The people could fly

2015

by Virginia Hamilton and Leo Dillon

Resplendent, powerful paintings by these two-time Caldecott-winning artists bring new life to the title story from the late Hamilton's 1985 collection, The People Could Fly: American Black Folktales . Making dramatic use of shadow and light, Leo and Diane Dillon (whose half-tone illustrations also graced the original volume) ably convey the tale's simultaneous messages of oppression and freedom, of sadness and hope. "They say the people could fly. Say that long ago in Africa, some of the people knew magic," opens the narrative, as the full-color artwork reveals elegant, beautifully clothed individuals with feathered wings serenely ascending into the sky. On the following spread, images of the Middle Passage set a fittingly somber tone, depicting Africans who "were captured for Slavery. The ones that could fly shed their wings. They couldn't take their wings across the water on the slave ships. Too crowded, don't you know." The picture-book format allows room for the relationship to develop between Sarah, who labors in the cotton fields with an infant strapped to her back, and Toby, the "old man," who utters the magic African words that give her flight. Toby helps others take flight as well (a stunning image shows seemingly hundreds linking hands and taking to the skies)- and eventually does so himself, sadly leaving some of the captives "who could not fly" behind to "wait for a chance to run." Art and language that are each, in turn, lyrical and hard-hitting make an ideal pairing in this elegant volume that gracefully showcases the talent of its creators. All ages

Cross Group Folklore Oppression & Resilience

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