"When times are tough, you pull yourself up and push yourself to the top ... of a beanstalk ... where you might get schooled in forces and motion by a STEM-loving giant named Dennis. At least that's what happens to Jack in this delicious twist on a classic fairy tale, supported by critical thinking questions and a glossary of key physics terms"--|cProvided by publisher
"Escaping from a tall tower using one's hair is so fairy- tale old school. This STEM-smart Rapunzel uses the brain beneath her hair to educate her prince (and readers) on the ways the science of simple machines can save the day. A glossary and critical thinking questions reinforce the story's key physics concept"--|cProvided by publisher
An old storyteller travels the streets of Damascus with a wonder chest full of images to delight children, but as time passes, the images fade and are replaced by glossy advertisements, changing the stories.
"Mela ends up in trouble when her little boat is swept into the dense jungle. She offers each animal she meets a prize for helping her find her way home, but the animals take their rewards without helping--then an elephant shows Mela that kindness is its own reward. Includes facts about Thailand."--|cProvided by publisher
"'Neypo shong gna? Is there room for me?' a wandering monk asks the old lady who lives on the hill. The question is repeated again and again as more and more visitors arrive. The kind lady welcomes them in one by one. But how will they all fit in her tiny little house? This charming tale contains an important teaching about openness and generosity of spirit."--Page 4 of cover
Resplendent, powerful paintings by these two-time Caldecott-winning artists bring new life to the title story from the late Hamilton's 1985 collection, The People Could Fly: American Black Folktales . Making dramatic use of shadow and light, Leo and Diane Dillon (whose half-tone illustrations also graced the original volume) ably convey the tale's simultaneous messages of oppression and freedom, of sadness and hope. "They say the people could fly. Say that long ago in Africa, some of the people knew magic," opens the narrative, as the full-color artwork reveals elegant, beautifully clothed individuals with feathered wings serenely ascending into the sky. On the following spread, images of the Middle Passage set a fittingly somber tone, depicting Africans who "were captured for Slavery. The ones that could fly shed their wings. They couldn't take their wings across the water on the slave ships. Too crowded, don't you know." The picture-book format allows room for the relationship to develop between Sarah, who labors in the cotton fields with an infant strapped to her back, and Toby, the "old man," who utters the magic African words that give her flight. Toby helps others take flight as well (a stunning image shows seemingly hundreds linking hands and taking to the skies)- and eventually does so himself, sadly leaving some of the captives "who could not fly" behind to "wait for a chance to run." Art and language that are each, in turn, lyrical and hard-hitting make an ideal pairing in this elegant volume that gracefully showcases the talent of its creators. All ages
In this version of the classic story, Ma Sally of Charleston County, South Carolina, devises a contest for her son's admirers: cook up a dish of black-eyed peas that meets her exacting standards, and the winner can marry her son. Includes recipe for Princess' black-eyed peas.