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Our collection of picture books featuring Black and Indigenous people and People of Color (BIPOC) is available to the public. *Inclusion of a title in the collection DOES NOT EQUAL a recommendation.* Click here for more on book evaluation.


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Character Prominence

Trouble: An Ethiopian Trading Adventure in Amharic and English

2020

by Jane. Kurtz and Durga Yael Bernhard

"Tekleh doesn’t mean to cause trouble but everywhere he goes, it follows. When his exasperated father carves him a gebeta (also called mancala) gameboard to keep him occupied, he has no idea the chain of events to come! Follow a curious young Ethiopian boy as he tends his goats and stumbles upon a series of unusual encounters that help him learn not only the value of goods, but of giving. As he trades his gebeta for a knife, a masinko, a drum, some corn and a papaya, he discovers the value of generosity and compassion. Bilingual text supports established readers in developing vocabulary and fluency in indigenous Ethiopian languages." -- publisher

Beautiful Life

‘Iwalani’s Tree

2016

by Constance Hale and Kathleen Peterson

"On the North Shore of Oahu, a girl named 'Iwalani lives with her family not far from Kaena Point, at the island s westernmost tip. 'Iwalani likes to wander down the beach to a place where an ironwood tree stands as a windbreak--just on the spot where the land becomes sand. The tree is 'Iwalani's playground, jungle gym, secret friend, and wise elder, all in one. From the ironwood she learns about the cycles of nature, the promise of imaginative freedom, and the power of dreams. Written as a gentle poem, with soft rhythms and playful language, 'Iwalani's Tree is the perfect bedtime book. Like a soft wind, it will lull your child to sleep." -- publisher

Beautiful Life

Milo’s Endless Drawing Pad

2019

by Sheri Tomamoto and Vivian Mineker Chen

"Milo is frustrated that his drawings don't turn out the way he sees them in his head. His grandpa encourages him to keep drawing, but Milo has used up all the paper. Milo's grandpa says he doesn't need paper to draw. They go outside and onto the beach. Milo picks up a long, long stick and drags it behind him in the sand. Noticing that his stick has made a mark in the sand, Milo's grandpa starts to draw pictures. As he finishes a drawing, a wave comes and washes it away so he can try again. Milo draws with his stick as well and learns that his drawings don't have to be perfect; he just has to keep on drawing. This simple yet heartwarming story is for any budding artist who needs a gentle reminder that it s the process of creating that counts and all you need is endless imagination." -- publisher

Any Child

The shape of home

2021

by Rashin Kheiriyeh

"It's Rashin's first day of school in America! Everything is a different shape than what she's used to: from the foods on her breakfast plate to the letters in the books! And the kids' families are from all over! The new teacher asks each child to imagine the shape of home on a map. Rashin knows right away what she'll say: Iran looks like a cat! What will the other kids say? What about the country YOUR family is originally from? Is it shaped like an apple? A boot? A torch?" -- publisher

Any Child Cross Group

Anansi and the Tug O’ War

2007

by Bobby Norfolk, Sherry Norfolk and Baird Hoffmire

"A timeless trickster tale from Africa about silly spider, Anansì. Anansí the trickster spider is back to his old tricks once again in this classic African folktale. Anansí must use his brainpower to teach Elephant and Whale to respect smaller creatures. He challenges both Elephant and Whale to a tug o' war, but they don’t realize that they are actually pulling against each other and not Anansí. In the end, both stubborn animals are so tired that they give up when Anansí asks them who is the strongest animal and he declares himself the winner of the tug o' war. In this battle of wits, brains definitely outdo brawn. This trickster tale from Africa will teach readers the importance of courage, resourcefulness and respect. While author, Bobby Norfolk was visiting the town of Kumasi in Ghana in the summer of 1993, a woman told him, "At four-thirty every afternoon, we try to gather together and have Anansi time." Norfolk attended the afternoon break and heard elders tell stories of Anansi, the tireless trickster of Ghanian tradition. Anansi appears in these stories in his most playful and creative guises. The Norfolks' adaptations brim with action, energy, and humor." -- publisher

Folklore

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