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Our collection of picture books featuring Black and Indigenous people and People of Color (BIPOC) is available to the public. *Inclusion of a title in the collection DOES NOT EQUAL a recommendation.* Click here for more on book evaluation.


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Sugar In Milk

2020

by Thrity Umrigar and Khoa Le

"A timely and timeless picture book about immigration that demonstrates the power of diversity, acceptance, and tolerance from a gifted storyteller. When I first came to this country, I felt so alone. A young immigrant girl joins her aunt and uncle in a new country that is unfamiliar to her. She struggles with loneliness, with a fierce longing for the culture and familiarity of home, until one day, her aunt takes her on a walk. As the duo strolls through their city park, the girl's aunt begins to tell her an old myth, and a story within the story begins. A long time ago, a group of refugees arrived on a foreign shore. The local king met them, determined to refuse their request for refuge. But there was a language barrier, so the king filled a glass with milk and pointed to it as a way of saying that the land was full and couldn't accommodate the strangers. Then, the leader of the refugees dissolved sugar in the glass of milk. His message was clear: Like sugar in milk, our presence in your country will sweeten your lives. The king embraced the refugee, welcoming him and his people. The folktale depicted in this book was a part of author Thrity Umrigar's Zoroastrian upbringing as a Parsi child in India, but resonates for children of all backgrounds, especially those coming to a new homeland." -- publisher

Beautiful Life Cross Group Folklore

The people could fly

2015

by Virginia Hamilton and Leo Dillon

Resplendent, powerful paintings by these two-time Caldecott-winning artists bring new life to the title story from the late Hamilton's 1985 collection, The People Could Fly: American Black Folktales . Making dramatic use of shadow and light, Leo and Diane Dillon (whose half-tone illustrations also graced the original volume) ably convey the tale's simultaneous messages of oppression and freedom, of sadness and hope. "They say the people could fly. Say that long ago in Africa, some of the people knew magic," opens the narrative, as the full-color artwork reveals elegant, beautifully clothed individuals with feathered wings serenely ascending into the sky. On the following spread, images of the Middle Passage set a fittingly somber tone, depicting Africans who "were captured for Slavery. The ones that could fly shed their wings. They couldn't take their wings across the water on the slave ships. Too crowded, don't you know." The picture-book format allows room for the relationship to develop between Sarah, who labors in the cotton fields with an infant strapped to her back, and Toby, the "old man," who utters the magic African words that give her flight. Toby helps others take flight as well (a stunning image shows seemingly hundreds linking hands and taking to the skies)- and eventually does so himself, sadly leaving some of the captives "who could not fly" behind to "wait for a chance to run." Art and language that are each, in turn, lyrical and hard-hitting make an ideal pairing in this elegant volume that gracefully showcases the talent of its creators. All ages

Cross Group Folklore Oppression & Resilience

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