Our collection of picture books featuring Black and Indigenous Peoples and People of Color (BIPOC) is available to the public.
*Inclusion of a title in the collection DOES NOT EQUAL a recommendation.*
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The Lucky Red Envelope
“Get ready for Lunar New Year, following a little girl and her family as they get ready for and celebrate the Lunar New Year festival.” — publisher
My Incredible India
“Watch elephants bathing from a houseboat in Kerala, marvel at ancient cave paintings in Bhimbetka, wander Delhi’s bustling streets, and ride a train through the snow-capped peaks of the Himalayas. In spread after colorful spread, India’s breathtaking landscapes, rich history, and cultural splendor leap to life on the page, framed by the story of a little girl named Thara and her grandmother. In a carved wooden trunk, Nanijee keeps mementos collected from all over India, each with a story to tell. Readers can follow along page by page with Thara or dip in at any point to discover something new about India’s many and varied regions–from vibrant religious festivals, food, and crafts to sports and wildlife to Bollywood and a hidden sculpture garden filled with life-size figures.”–publisher
Ra Pu Zel and the Stinky Tofu
“The story of Rapunzel where she’s being locked in a tower by a witch is a good one—but it’s not totally the truth. The real story is about a young princess in China named Ra Pu Zel who doesn’t want to talk to princes or look proper. What Pu Zel wants is to cook and eat in peace, her long hair neatly braided to keep it out of her food. And when she gets tired of everyone telling her what to do, she locks herself in a tower with her dog Bao. Although princes from everywhere try to convince her to come down, it’s not until a young chef arrives with an intriguing food to share that Ra Pu Zel finally has a reason.” — publisher
The Partition Project
“When her grandmother comes off the airplane in Houston from Pakistan, Mahnoor knows that having Dadi move in is going to disrupt everything about her life. That fact is confirmed when Maha has to give up her bedroom to the grumpy old woman and is assigned to be Dadi’s unofficial babysitter. As an aspiring journalist, Maha knows all about the importance of facts (though her best friend would say that stories are just as important). She can’t wait to start her journalism elective—until their teacher announces that their big assignment will be to film a documentary, which feels way outside of what she would call “journalism.” While Dadi starts to settle into life in Houston and Maha scrambles for a subject for her documentary, the two of them start talking. About Dadi’s childhood in northern India—and about the Partition that forced her to leave her home and relocate to the newly created Pakistan. As details of Dadi’s life are revealed, Dadi’s personal story feels a lot more like the breaking news that Maha loves so much. And before she knows it, she has the subject of her documentary.” — publisher
