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Our collection of picture books featuring Black and Indigenous Peoples and People of Color (BIPOC) is available to the public.

*Inclusion of a title in the collection DOES NOT EQUAL a recommendation.*

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Keepunumuk: Weeâchumun’s Thanksgiving Story

2022

by Alexis Bunten, Danielle Greendeer, Anthony Perry and Garry Meeches Sr

“In this Wampanoag story told in a Native tradition, two kids from the Mashpee Wampanoag tribe learn the story of Weeâchumun (corn) and the first Thanksgiving. The Thanksgiving story that most Americans know celebrates the Pilgrims. But without members of the Wampanoag tribe who already lived on the land where the Pilgrims settled, the Pilgrims would never have made it through their first winter. And without Weeâchumun (corn), the Native people wouldn’t have helped. An important picture book honoring both the history and tradition that surrounds the story of the first Thanksgiving.”– publisher

Centering Culture & Identity Cross Group

I Am Loved

2021

by Kevin Qamaniq-Mason, Mary Qamaniq-Mason and Hwei Lim

“Pakak is in a new foster home, with new people, new food, and new smells. Feeling alone and uncertain, Pakak finds comfort in a secret shared with him by his anaanattiaq, his grandmother, and in the knowledge that he is loved no matter how far away his family may be. Written as a gift for Inuit children in care by foster parents Kevin and Mary Qamaniq-Mason, this book is lovingly imbued with cultural familiarities that will resonate with children who, like Pakak, are navigating the unknown.” — publisher

Centering Culture & Identity Cross Group

Little Night / Nochecita

2016

by Yuyi Morales

“Mother Sky is looking for her Little Night, but where could she be? Down a rabbit hole? Behind the hills? In the stripes of bees? And so begins a lilting game of hide-and-seek, until the Sky catches up with her rambunctious daughter.” — publisher

Folklore

Diarou’s Not So Different

2020

by Diarou Bayo, Riley Campbell, Anthony Cooke and Alex Perkins

“Diarou is starting her first week in a new school, in a new country, speaking a new language… and she feels completely alone. She moved to the U.S. from Guinea over the summer and is determined to make friends, but with her limited English, she’s having trouble communicating with her classmates. Just when she thinks she might be on her own, she meets another new student who’s struggling too. Can Diarou find a way to connect across language barriers to make a true friend? The authors of this story are part of an innovative program run by Reach Incorporated. Reach develops grade-level readers and capable leaders by preparing teens to serve as tutors and role models for younger students, resulting in improved literacy outcomes for both. Learn more at reachincorporated.org. Books were created in collaboration with Shout Mouse Press. Shout Mouse is a nonprofit writing and publishing house dedicated to amplifying underheard voices. Through writing workshops that lead to professional publication, Shout Mouse empowers writers from marginalized backgrounds to tell their own stories in their own voices and, as published authors, to act as agents of change. Learn more at shoutmousepress.org” — publisher

Cross Group Race/Culture/Identity Concepts

My Hands Sing the Blues

2011

by Jeanne Walker Harvey and Elizabeth Zunon

“As a young boy growing up in North Carolina, Romare Bearden listened to his great-grandmother’s Cherokee stories and heard the whistle of the train that took his people to the North—people who wanted to be free. When Romare boarded that same train, he watched out the window as the world whizzed by. Later he captured those scenes in a famous painting, Watching the Good Trains Go By. Using that painting as inspiration and creating a text influenced by the jazz that Bearden loved, Jeanne Walker Harvey describes the patchwork of daily southern life that Romare saw out the train’s window and the story of his arrival in shimmering New York City. Artists and critics today praise Bearden’s collages for their visual metaphors honoring his past, African American culture, and the human experience. Elizabeth Zunon’s illustrations of painted scenes blended with collage are a stirring tribute to a remarkable artist.” — publisher

Biography/Autobiography

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