Our collection of picture books featuring Black and Indigenous Peoples and People of Color (BIPOC) is available to the public.
*Inclusion of a title in the collection DOES NOT EQUAL a recommendation.*
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15 matching books
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The Trickster in the Vase (The Osagie Twins #1)
“Twins Eddie and Nosa Osagie have one golden rule: NEVER enter Baba’s study when he’s not home. But when Grandpa Sunny’s birthday party beckons, their curiosity gets the best of them. All they want is to play soccer with the mysterious ball in the study. Sneaking through the office seemed harmless… until they knocked over a dusty bronze vase, releasing the mischievous trickster spirit, Eshu! Chaos ensues as Eshu wreaks havoc throughout the neighborhood. Now, Eddie and Nosa are on a mission to track down the trickster, end his pranks, and secretly return him to the vase in the office. Can they defeat Eshu before Grandpa Sunny’s guests arrive? Or will Baba uncover their secret snooping?” — publisher
Beware the Heartman
“For once, everything in twelve-year-old Josephine’s life is going according to plan. She’s finally proved that girls belong on the cricket team and earned a spot as a starting player! And she’s confident that she and her best friend, Ahkai, will both be accepted to their dream secondary school. Nothing can stop Jo now — not even the memory of the vengeful sea spirit she vanquished last year. But then a series of disasters strike. Ahkai suddenly seems to have a new best friend — the annoyingly perfect Lynne. Then Jo isn’t accepted to the same school as Ahkai! Even worse, Jo keeps having eerie encounters with a mysterious figure lurking in the shadows — a figure who bears an unsettling resemblance to the fearsome Heartman rumored to steal children’s hearts… Jo doesn’t know where to turn. With Daddy away, the only person who’ll believe her is Ahkai, but Jo is too proud to ask for help after being replaced. By the time she musters the courage to approach him, it’s too late. Ahkai has disappeared without a trace. He’s been taken by the Heartman. None of the adults believe Jo. The Heartman is just a legend, after all. But Jo knows that the fearsome creature is real and that if she doesn’t find his lair soon, Ahkai will be lost forever.” — publisher
Folktales for a Better World: Stories of Peace and Kindness
“Will two clans in Ethiopia make peace by throwing their most precious possessions in the river? Can a poor Palestinian shepherd show a rich sultan the value of true kindness? Or will an angel in Afghanistan find a way to turn the selfish Emir into a caring ruler? Buried treasure and an act of forgiveness reunite a father and daughter in Sudan while a camel is the key to choosing a kind and fair ruler for the kingdom of Yemen. Hear the Syrian story of the woodcutter and the lion to discover the meaning of friendship, and then follow nine courageous Uighur princesses of Kashgar, as they bring peace to their kingdom – without any fighting. The importance of peace and kindness in our lives shines through these timeless, inspirational stories from seven countries, beautifully told and illustrated with empathy and humor.” — publisher
My Selma
“A stirring memoir of growing up Black in a town at the epicenter of the fight for freedom, equality, and human rights. Combining family stories of the everyday and the extraordinary as seen through the eyes of her twelve-year-old self, Willie Mae Brown gives readers an unforgettable portrayal of her coming-of-age in a fractured town at the crossroads of history. Selma’s pivotal role in the civil rights movement forms an inescapable backdrop in this collection of stories. In one, Willie Mae takes it upon herself to offer summer babysitting services to a glamorous single white mother—a secret she keeps from her father that unravels with shocking results. In another, Willie Mae reluctantly joins her mother at a church rally, and is forever changed after hearing Martin Luther King Jr. deliver a defiant speech. My Selma! captures the voice and vision of a perspicacious, impetuous, resourceful young person who gives us a loving portrayal of her hometown while also delivering a no-holds-barred indictment of the time and place.” — publisher
Conjure Island
“If you ask Delphinia Baker, she’d tell you she has all the family she needs. Sure, her mom passed away when she was young, her dad is often away on deployment, and she’s had to move so much that she’s never had close friends. But even though Del has never had anyone she can call her people, she has always had her grandmother—and for Del and Gramma, best friends since forever, that’s enough. Besides, having no roots just makes it that much easier when you have to move again. All of that changes, though, when Gramma falls ill and Del is sent to stay with her great-grandmother. Del has never even heard of Nana Rose, and she has no interest in spending the summer with a stranger on an unbearably hot island off the South Carolina coast. And when Nana Rose starts talking about the school she runs dedicated to their family’s traditions—something called “conjure magic”—Del knows she’s in for a weird, awkward summer. That is, until the magic turns out to be real. Soon, Del is surrounded by teachers who call themselves witches, kids with strange abilities, creatures and ghosts who can speak to her. She has a hundred questions, but one more than any other: Why didn’t Gramma ever tell her about her family, the island, this magic? As Del sets out to find answers and to find her place in a world she never knew existed, she also discovers a shadowy presence on the island—and comes to believe that it all might be connected.” — publisher
Black Girl You are Atlas
In this semi-autobiographical collection of poems, Renée Watson writes about her experience growing up as a young Black girl at the intersections of race, class, and gender. Using a variety of poetic forms, from haiku to free verse, Watson shares recollections of her childhood in Portland, tender odes to the Black women in her life, and urgent calls for Black girls to step into their power.
Gold
This wordless picture book plays with our assumptions about family. What do we think we see as we turn the pages and how is the ending not at all what we expected? This fractured retelling of the Goldilocks fairy tale provides a perfect format for thinking about story-telling and how families can be different—and how they are the same.
Dan Auta: An African Tale
“When Sarra’s parents die, they leave her with an important warning: never let Dan Auta, her little brother, cry. But Dan Auta loves to make trouble. He hitches a ride on the back of a bird, pokes the eye of the king’s son, and even pees on the king’s head. Making sure he doesn’t cry is much harder than Sarra thought! But Dan Auta’s unbridled curiosity and determination may be exactly what everyone needs: a terrible monster called the Dodo is attacking the city… and Dan Auta is the only one with the courage to take him on.” — publisher
We Are All So Good at Smiling
“Whimsy is back in the hospital for treatment of clinical depression. When she meets a boy named Faerry, she recognizes that they both have magic in the marrow of their bones. And when Faerry and his family move to the same street, the two start to realize that their lifelines may have twined and untwined many times before. They are both terrified of the forest at the end of Marsh Creek Lane. The Forest whispers to Whimsy. The Forest might hold the answers to the part of Faerry he feels is missing. They discover the Forest holds monsters, fairy tales, and pain that they have both been running from for eleven years.” — publisher
We Don’t Swim Here
“Bronwyn is only supposed to be in rural Hillwoods for a year. Her grandmother is in hospice, and her father needs to get her affairs in order. And they’re all meant to make some final memories together. Except Bronwyn is miserable. Her grandmother is dying, everyone is standoffish, and she can’t even go swimming. All she hears are warnings about going in the water, despite a gorgeous lake. And a pool at the abandoned rec center. And another in the high school basement. Anais tries her hardest to protect Bronwyn from the shadows of Hillwoods. She follows her own rituals to avoid any unnecessary attention—and if she can just get Bronwyn to stop asking questions, she can protect her too. The less Bronwyn pays attention to Hillwoods, the less Hillwoods will pay attention to Bronwyn. She doesn’t get that the lore is, well, truth. History. Pain. The living aren’t the only ones who seek retribution when they’re wronged. But when Bronwyn does more exploring than she should, they are both in for danger they couldn’t expect.” — publisher
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