Our collection of children's picture books featuring Black and Indigenous people and People of Color (BIPOC) is available to the public. You can use the Search Tool below to find titles. *Inclusion of a title in the collection DOES NOT EQUAL recommendation.* See our related readings page for suggested tools for evaluating books.
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When a prince sets out to find a princess to marry, he soon discovers this is not a simple task. There is no shortage of so-called princesses, but how can he tell whether or not they are what they claim to be? Then one night a great storm rages, there comes a knock on the palace gate, and the prince's life is never the same.
Silence, sent on a mysterious mission by the ancient trees that raised her after she was sent away from her village, reconnects the villagers with their forgotten ancestors.
Resplendent, powerful paintings by these two-time Caldecott-winning artists bring new life to the title story from the late Hamilton's 1985 collection, The People Could Fly: American Black Folktales . Making dramatic use of shadow and light, Leo and Diane Dillon (whose half-tone illustrations also graced the original volume) ably convey the tale's simultaneous messages of oppression and freedom, of sadness and hope. "They say the people could fly. Say that long ago in Africa, some of the people knew magic," opens the narrative, as the full-color artwork reveals elegant, beautifully clothed individuals with feathered wings serenely ascending into the sky. On the following spread, images of the Middle Passage set a fittingly somber tone, depicting Africans who "were captured for Slavery. The ones that could fly shed their wings. They couldn't take their wings across the water on the slave ships. Too crowded, don't you know." The picture-book format allows room for the relationship to develop between Sarah, who labors in the cotton fields with an infant strapped to her back, and Toby, the "old man," who utters the magic African words that give her flight. Toby helps others take flight as well (a stunning image shows seemingly hundreds linking hands and taking to the skies)- and eventually does so himself, sadly leaving some of the captives "who could not fly" behind to "wait for a chance to run." Art and language that are each, in turn, lyrical and hard-hitting make an ideal pairing in this elegant volume that gracefully showcases the talent of its creators. All ages
Ayobami dreams of going to school. But to reach the schoolhouse, she has to take a dangerous path: the one that leads through the jungle. This is a tale about the importance of education, the difficulties that many children have to overcome to go to school, and the perseverance and enthusiasm of those who want to learn. -- from publisher's site
A young girl's dream of attending school in her small Ugandan village is fulfilled after her family is given an income-producing goat. Based on a true story about the work of Project Heifer. More than anything, Beatrice longs to be a schoolgirl. But in her small African village, only children who can afford uniforms and books can go to school. Beatrice knows that with six children to care for, her family is much too poor. But then Beatrice receives a wonderful gift from some people far away--a goat! Fat and sleek as a ripe mango, Mugisa (which means "luck") gives milk that Beatrice can sell. With Mugisa's help, it looks as if Beatrice's dream may come true after all. Page McBrier and Lori Lohstoeter beautifully recount this true story about how one child, given the right tools, is able to lift her family out of poverty. Thanks to Heifer Project International--a charitable organization that donates livestock to poor communities around the world-- other families like Beatrice's will also have a chance to change their lives
In East Africa, a young girl learns that one cannot always judge by appearances as she and her mother visit a market in search of kanga cloth and meet merchants who all claim they have the secret to good chai (tea)
When a newly married couple from a small Moroccan village moves to the city of Casablanca, the mirror on their wardrobe causes much confusion, as they each think their spouse has married someone new
A celebration of the life of Amalia Hernandez, dancer and founder of El Ballet Folklorico de Mexico, and of the rich history of dance in Mexico. As a child, Amalia always thought she would grow up to be a teacher, until she saw a performance of dancers in her town square. She was fascinated by the way the dancers twirled and swayed, and she knew that someday she would be a dancer, too. She began to study many different types of dance, including ballet and modern, under some of the best teachers in the world. Hernandez traveled throughout Mexico studying and learning regional dances. Soon she founded her own dance company where she integrated her knowledge of ballet and modern dance with folkloric dances. The group began to perform all over the world, becoming an international sensation that still tours today. Tonatiuh's distinctive Mixtec-inspired artwork and colorful drawings leap off the page. --Provided by publisher
A young African boy draws inspiration from a story about the life of Lopez Lomong, a Sudanese boy who was able to overcome all of the obstacles in his life and become an Olympic runner
This is the real-life story of 10-year old refugee Hamid, who flees Eritrea with his mother to escape the war and threats to his family from the government. Told in Hamid's own words, this story describes the hardship experienced by immigrants who are rebuilding their lives with little understanding of the language and culture of their new country.