Our collection of picture books featuring Black and Indigenous people and People of Color (BIPOC) is available to the public. *Inclusion of a title in the collection DOES NOT EQUAL a recommendation.* Click here for more on book evaluation.
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"A hilarious send-up of every kid’s moment of Santa doubt. Santa has a problem. This kid? Harold? Santa doesn’t think he’s real. He WANTS to believe in Harold—after all, Harold is one of the most magical parts of Christmas. Getting Harold’s letters, eating the cookies he leaves out, feeding his carrots to the reindeer…what would Christmas be without that? But Santa’s just not sure. Some of his friends are telling him they think Harold’s not real. And the Harold that sat on his knee last Christmas looked AWFULLY different. Santa comes up with a plan to find out once and for all if Harold really exists…with hilarious consequences." -- publisher
"In this ancient version of Cinderella, a pair of beautiful slippers leads a rosy-cheeked girl to the King of Egypt. Beautifully retold by the award-winning author Beverley Naidoo, this earliest-known version of Cinderella is brought to life for the modern day reader. Rhodopis is a Greek girl who is sold into slavery by bandits and taken to Egypt. Along the way she becomes friends with the storyteller Aesop and a host of playful animals. Her master gives her a pair of beautiful rose-red slippers, making three other servants jealous. But when Horus, the falcon, sweeps in to steal her slipper, Rhodopis has little idea that this act will lead her to the King of Egypt." -- publisher
"Long ago, Blackbird was voted the most beautiful bird in the forest. The other birds, who were colored red, yellow, blue, and green, were so envious that they begged Blackbird to paint their feathers with a touch of black so they could be beautiful too. Although Black-bird warns them that true beauty comes from within, the other birds persist and soon each is given a ring of black around their neck or a dot of black on their wings—markings that detail birds to this very day." -- publisher
"In this clever, funny, and modern picture book, the tooth fairy is a high-powered black businesswoman named Tallulah." -- publisher
"In Jacksonville, Florida, two brothers, one of them the principal of a segregated, all-black school, wrote the song “Lift Every Voice and Sing” so his students could sing it for a tribute to Abraham Lincoln’s birthday in 1900. From that moment on, the song has provided inspiration and solace for generations of Black families. Mothers and fathers passed it on to their children who sang it to their children and grandchildren. Known as the Black National Anthem, it has been sung during major moments of the Civil Rights Movement and at family gatherings and college graduations." --publisher
Beautiful but vain Ivy locks away her infant daughter, Snow, because she is born with a skin disorder, and later forces her to write children's books until Snow escapes and finds shelter in the forest, in this story based on the Grimm fairy tale.
A boy learns that the truth is often stretched on the Bayou Clapateaux, and gets the chance to tell his own version of a bayou tale when he goes fishing
Describes the life of the legendary steel-driving man who was born and who died with a hammer in his hand.
When a prince sets out to find a princess to marry, he soon discovers this is not a simple task. There is no shortage of so-called princesses, but how can he tell whether or not they are what they claim to be? Then one night a great storm rages, there comes a knock on the palace gate, and the prince's life is never the same.
Resplendent, powerful paintings by these two-time Caldecott-winning artists bring new life to the title story from the late Hamilton's 1985 collection, The People Could Fly: American Black Folktales . Making dramatic use of shadow and light, Leo and Diane Dillon (whose half-tone illustrations also graced the original volume) ably convey the tale's simultaneous messages of oppression and freedom, of sadness and hope. "They say the people could fly. Say that long ago in Africa, some of the people knew magic," opens the narrative, as the full-color artwork reveals elegant, beautifully clothed individuals with feathered wings serenely ascending into the sky. On the following spread, images of the Middle Passage set a fittingly somber tone, depicting Africans who "were captured for Slavery. The ones that could fly shed their wings. They couldn't take their wings across the water on the slave ships. Too crowded, don't you know." The picture-book format allows room for the relationship to develop between Sarah, who labors in the cotton fields with an infant strapped to her back, and Toby, the "old man," who utters the magic African words that give her flight. Toby helps others take flight as well (a stunning image shows seemingly hundreds linking hands and taking to the skies)- and eventually does so himself, sadly leaving some of the captives "who could not fly" behind to "wait for a chance to run." Art and language that are each, in turn, lyrical and hard-hitting make an ideal pairing in this elegant volume that gracefully showcases the talent of its creators. All ages