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Our collection of picture books featuring Black and Indigenous Peoples and People of Color (BIPOC) is available to the public.

*Inclusion of a title in the collection DOES NOT EQUAL a recommendation.*

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A Maleta Full of Treasures

2024

by Natalie Sylvester and Juana Medina

It’s been three years since Abuela’s last visit, and Dulce revels in every tiny detail—from Abuela’s maletas full of candies in crinkly wrappers and gifts from primos to the sweet, earthy smell of Peru that floats out of Abuela’s room and down the hall. But Abuela’s visit can’t last forever, and all too soon she’s packing her suitcases again. Then Dulce has an idea: maybe there are things she can gather for her cousins and send with Abuela to remind them of the U.S. relatives they’ve never met. And despite having to say goodbye, Abuela has one more surprise for Dulce—something to help her remember that home isn’t just a place, but the deep-rooted love they share no matter the distance

Centering Culture & Identity

Back Home: Story Time with My Father

2024

by Arlène Elizabeth Casimir and Ken Daley

“Lune loves hearing her daddy’s stories—the funny ones, the sad ones, the ones with lessons about truth and love. Whether evoking an ill-fated climb up a mango tree or life after a hurricane, flying over magical mountains or the healing power of a mother’s love, all of Daddy’s stories begin with “lakay”—back home—and each one ushers Lune to Haiti, her father’s homeland, a place she doesn’t know but can see, hear, and feel when she closes her eyes. Daddy is her favorite book, and sometimes she stays up late just to hear another story when he gets home from work. Everyone has stories, her mommy tells her, so Lune begins to wonder: could she have stories of her own, too?” — publisher

Centering Culture & Identity

Bao’s Doll

2024

“Whenever Mama says, “when I was a little girl in Taiwan, we had nothing,” Bao stops listening. Mama does not understand Bao, and Bao certainly does not understand Mama. So when Bao desperately wants a doll—specifically, the beautiful, blonde All-American Artist Amanda doll that everyone else has—Bao takes matters into her own hands and steals Amanda from the store. After getting caught, Bao’s chest feels heavy like a giant rock. But gradually, the awkward silence between Bao and Mama shifts to honesty, and eventually, a deeper understanding of what binds them. Inspired by the childhood of debut talent Bo Lu, this poignant picture book brings emotional layers to the story of a parent and child learning to connect with their heritage and each other.” — publisher

Biography/Autobiography Centering Culture & Identity

Beware the Heartman

2024

“For once, everything in twelve-year-old Josephine’s life is going according to plan. She’s finally proved that girls belong on the cricket team and earned a spot as a starting player! And she’s confident that she and her best friend, Ahkai, will both be accepted to their dream secondary school. Nothing can stop Jo now — not even the memory of the vengeful sea spirit she vanquished last year. But then a series of disasters strike. Ahkai suddenly seems to have a new best friend — the annoyingly perfect Lynne. Then Jo isn’t accepted to the same school as Ahkai! Even worse, Jo keeps having eerie encounters with a mysterious figure lurking in the shadows — a figure who bears an unsettling resemblance to the fearsome Heartman rumored to steal children’s hearts… Jo doesn’t know where to turn. With Daddy away, the only person who’ll believe her is Ahkai, but Jo is too proud to ask for help after being replaced. By the time she musters the courage to approach him, it’s too late. Ahkai has disappeared without a trace. He’s been taken by the Heartman. None of the adults believe Jo. The Heartman is just a legend, after all. But Jo knows that the fearsome creature is real and that if she doesn’t find his lair soon, Ahkai will be lost forever.” — publisher

Centering Culture & Identity Folklore

Bless the Blood

2024

by Walela Nehanda

“When Walela is diagnosed at twenty-three with advanced stage blood cancer, they’re suddenly thrust into the unsympathetic world of tubes and pills, doctors who don’t use their correct pronouns, and hordes of “well-meaning” but patronizing people offering unsolicited advice as they navigate rocky personal relationships and share their story online. But this experience also deepens their relationship to their ancestors, providing added support from another realm. Walela’s diagnosis becomes a catalyst for their self-realization. As they fill out forms in the insurance office in downtown Los Angeles or travel to therapy in wealthier neighborhoods, they begin to understand that cancer is where all forms of their oppression intersect: Disabled. Fat. Black. Queer. Nonbinary.” — publisher

Biography/Autobiography Oppression & Resilience

Dear Wendy

2024

by Ann Zhao

“Sophie Chi is in her first year of college (though her parents wish she’d attend a “real” university rather than a liberal arts school) and has long accepted her aroace (aromantic and asexual) identity. She knows she’ll never fall in love, but she enjoys running an Instagram account that offers relationship advice to students at her school. No one except her roommate can know that she’s behind the incredibly popular “Dear Wendy” account. When Joanna “Jo” Ephron (also a first-year aroace college student) created their “Sincerely Wanda” account, it wasn’t at all meant to take off or be taken seriously—not like Wendy’s. But now they might have a rivalry of sorts with Wendy’s account? Oops. As if Jo’s not busy enough having existential crises over gender identity, whether she’ll ever truly be loved, and the possibility of her few friends finding The One then forgetting her! While tensions are rising online, Sophie and Jo grow closer in real life, especially once they realize their shared aroace identity. Will their friendship survive if they learn just who’s behind the Wendy and Wanda accounts?” — publisher

Centering Culture & Identity Cross Group

My Mother’s Tongues

2024

by Uma Menon and Rahele Jomepour Bell

“Sumi’s mother can speak two languages, Malayalam and English. And she can switch between them at the speed of sound: one language when talking to Sumi’s grandmother, another when she addresses the cashier. Sometimes with Sumi she speaks a combination of both. Could it be she possesses a superpower? With awe and curiosity, young Sumi recounts the story of her mother’s migration from India and how she came to acquire two tongues, now woven together like fine cloth.”–publisher

Centering Culture & Identity

Simone

2024

by Viet Thanh Nguyen and Minnie Phan

“When Simone is awakened by her mom as a wildfire threatens their home, it is the beginning of a life-changing journey. On their way to take shelter in a high school gym, the family passes firefighters from a prison unit battling the fire. Simone’s mom tells her that when she was a girl in Viet Nam, she was forced to evacuate her home after a flood. Joined by other children sheltering in the gym, Simone, a budding artist, encourages everyone to draw as a way to process their situation. After a few days, Simone and her mom are able to return to their home, which is fortunately still standing, and her outlook has changed. As Simone begins creating a piece of art with one of her new friends from the shelter, she realizes that they too can be firefighters, dreaming and working for a more sustainable future. With a poetic, haunting family story by esteemed author Viet Thanh Nguyen and gorgeous art from Vietnamese American illustrator Minnie Phan, this powerful tale introduces an unforgettable young heroine who awakens to a new role fighting for her community and for the future of the planet.” — publisher

Any Child/Teen Incidental

The Partition Project

2024

by Saadia Faruqi

“When her grandmother comes off the airplane in Houston from Pakistan, Mahnoor knows that having Dadi move in is going to disrupt everything about her life. That fact is confirmed when Maha has to give up her bedroom to the grumpy old woman and is assigned to be Dadi’s unofficial babysitter. As an aspiring journalist, Maha knows all about the importance of facts (though her best friend would say that stories are just as important). She can’t wait to start her journalism elective—until their teacher announces that their big assignment will be to film a documentary, which feels way outside of what she would call “journalism.” While Dadi starts to settle into life in Houston and Maha scrambles for a subject for her documentary, the two of them start talking. About Dadi’s childhood in northern India—and about the Partition that forced her to leave her home and relocate to the newly created Pakistan. As details of Dadi’s life are revealed, Dadi’s personal story feels a lot more like the breaking news that Maha loves so much. And before she knows it, she has the subject of her documentary.” — publisher

Centering Culture & Identity Oppression & Resilience

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